Grant Morrison: Talking With Gods, directed by Patrick Meaney
Halo 8, 80 minutes, 2010

I suspect there are only a few kinds of people who’ll be interested in the documentary Grant Morrison: Talking With Gods – either serious documentary fans, devoted comic-book readers, or magical practitioners. Each of them will come away from this film quite happy.

Director Patrick Meaney largely works with a familiar pattern for this kind of celebrity documentary – one of mostly stepping back and letting the interviews (and, of course, editing) tell the story. There are several attempts to visually represent the psychedelic elements of the tale created by cinematographer Jordan Rennert, though the results are far less annoying than is often the case in such films! The perspective is mostly one which aims at the comic-reading audience, introducing them fairly gently to the core of occult thought that permeates his work.

The film opens with a montage of several comic-book writers and artists talking about Morrison’s reputation as a very successful comics creator who is also out as a practicing chaos magician who’s no stranger to psychedelics – and the usual kind of “drug-crazed madman” rumours that inevitably follow. Continue reading »

Saturday Signal: attempting to sift signal from the noise of the Internet’s occultural cacophony.

In our first Saturday Signal Beth asked “how our “fun day” (Saturday) got named after the least fun god/planet of the week”.  Last week we looked at one possible reason, and Gesigewigus commented on how the planetary hours align nicely with the days of the week: Continue reading »

Our Gods Wear Spandex: The Secret History of Comic Book Heroes, by Christopher Knowles, illustrated by Joseph Michael Lisner
Weiser Books, 9781578634064, 233 pp. (including bibliography and index), 2007

Much of the early praise makes reference to Joseph Campbell and this influence is indeed clear. Our Gods Wear Spandex takes a look at classical mythology (ancient Egyptian, Greek and Roman in particular) and draws comparisons between comic characters and themes, starting with the earliest comics and moving right through to contemporary comics.

Observing the genealogy of myths, Knowles writes: Continue reading »