Piracy hurts

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Recently two publishers have come out against piracy, and my feedreader’s been awash with responses to it.

Yesterday Scarlet Imprint published a post titled “Tarnish” explaining their frustration shutting down distribution of pirated copies of their titles.

They’re not just concerned with their own works, however, they cite several other independent occult publishers: Ixaxaar, Golden Hoard, Xoanon, and the fate of the publishing industry in general:

Many illegal uploaders believe that they are providing a service, that they are disseminating knowledge for the right reasons. However their actions are destroying the marginal livelihood of the authors they are copying. They are seriously jeopardising any future work.

Lest you think this only pertains to small press, Donald Michael Kraig, blogging for Llewellyn, discussed this back in August as well in “A Humble Request“.

Authors don’t make much from their books. When you steal a book, it hurts authors, agents, editors, copyeditors, publishers, distributors, bookshops and more business and people than you likely realize.

This isn’t news. We’ve discussed it here before.

Over on The Wild Hunt, Jason Pitzl-Waters discusses its effects on Pagan culture, pointing out that this affects indie artists of all kinds in “Piracy and Paganism“, and on Dionysian Atavism Jack Faust is threatening to unleash a history of piracy and capitalism with the understanding that “the technology isn’t going away” so we’d better “find a way to use it for your benefit, or be crushed by reality”. Rufus Opus has also offered a few expletives.

Scarlet Imprint describe themselves as a “talismanic esoteric and occult publisher” – the value of their works isn’t solely in its text but the books as objects in and of themselves. Pirating their publications is cheapening their efforts however you look at it.

This isn’t about technology, it’s about integrity.

Image above provided by eyehook.com.

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